09 October 2016

Eugen Jochum's Tahra Concertgebouw recordings reissued on LPs



That Tahra’s release (1997) of Eugen Jochum’s concert recording on 4 December 1986 of Bruckner 5 is a memorable event is beyond every Brucknerites’ doubts. Lately Altus, using the sound source from Tahra, has released this recording in LP format (TALTLP005) in Japan. The artistic value of this performance has been thoroughly discussed by reviewers over the years. Suffice it to say that it is one of my favourite Bruckner 5 recordings. There are some interesting points about this famous recording however.

1) Tahra states that it is his “very last performance”, but unfortunately it is not exactly true. His last performance in Amsterdam is the concert 2 days later on 6 December 1986 of the same music: Bruckner 5. Unfortunately this last concert was not recorded.


2) By that time, Jochum has performed the Bruckner Fifth 21 times with the Concertgebouw Orchestra. 


3) In his last concert, he performed the whole of the Finale again for the encore! 


4) In the finale of Bruckner 5, Eugen Jochum carried over but modified slightly Schalk's practice of augmenting the brass section towards the end of the movement with 11 extra brass instruments placed separately in a raised position behind the orchestra, often in the organ loft. He supported the brass with 11 additional instruments from the beginning of the Chorale (bar 583), using 4 horns, 3 trumpets, 3 trombones and 1 bass tuba. These were affectionately called the "11 Apostles" as the twelfth, Judas, was not included. Jochum placed them differently from Schalk’s original practice. He placed them in the orchestra just behind or beside the original brass players, as he thought placing them in the organ loft would have an effect too theatrical. The idea of this practice is to make sure that the divine ending will not otherwise become lacklustre or feeble due to fatigue of the brass players already by the beginning of the Chorale.

Eugen Jochum’s last concert was in January 1987 when he conducted the Munich Philharmonic on Bruckner 9. This concert was broadcast. At that time the Munich Philharmonic was very much Celibidache’s orchestra, and with their affinity to Bruckner, how Jochum has conducted them in that concert should be every Brucknerite’s wish to hear it.


In about 3 weeks' time, on Halloween, Altus will reissue Eugen Jochum’s Tahra Bruckner recordings with the Concertgebouw Orchestra in a 10-LP set (TALTLP007). It will include the 4 December 1986 Bruckner 5 and thus duplicate TALTLP005. The others included in this LP set are Bruckner 4 (16 January 1975), Bruckner 6 (2 November 1980), Bruckner 7 (15 March 1970) and Bruckner 8 (26 Sep 1984). Whether it is intended or not, Altus timed its release one day before Jochum’s birthday on 1 November.

Tahra's first release of these recordings: Bruckner 4, 6, 7 & 8 in a box set shared with his brother Georg-Ludwig in 1996; Bruckner 5 singly one year later.

Cover art of TALTLP005 (2-LP set)

Cover art of TALTLP007, a 10-LP set

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