Nowadays the term "under-rated" or "under-appreciated" has become nothing more than a cliché, but not so for Nelson Freire. He has my utmost respect.
This recording (22-27 May, 1968 at Burgerbrau, Munich), together with the Tchaikovsky piano concerto no. 1 made around the same time, effectively launched Freire's career to another level. He was not yet 24 at that time. He is now 65. These 2 concertos are among the finest recorded ones I've listened to. I won't say these are the finest because that would be unfair to my favourite ones by Dinu Lipatti, but they are on much the same level of artistic achievements.
Freire's technique is exceptonal, but it only forms the necessary foundation for the layer of subtlety, finesse, poetry and power that steals the heart of many a listener. His technique will never shine through as the only attribute, as keyboard acrobatics, in his artistic interpretations, unlike so many keyboard technicians who have enjoyed star status.
He is best in elusive romantic works.
This Japanese remastering brings out the best sonic fullness and colour so far. I felt lucky that I came across this Japanese local reissue in Tokyo in 2002.
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